“I have served two large churches, because I’m not talented enough to serve a small church.”
Another, rather more detailed and disparaging
description: I’m a church musician who does not play the organ; a worship leader
who does not play the piano or guitar; a pastor without a seminary degree; a
choir director whose performance degree is in trombone; a conductor mostly
trained on the job.
When I am in the mood to put a positive spin on it, I
admit that my strength in music ministry has been as a steward of others’ musical
gifts. I do not deny that I have a certain musical sense and vision. I have a
gift for programming—whether the selection of hymns for a Sunday morning or the
creation of a seasonal service or special concert—I know how to put things together.
I did not know that 30 years ago; it
took others to recognize and name that as a spiritual gift. Some think I am a
gifted administrator; I think I just have a strong self-defense instinct.
Early on, it was a challenge to appreciate the clearly
superior gifts of the musicians in my care. I felt threatened by the amazing
pianist, the creative organist, the guitarist who could instantly harmonize any
melody they heard. I had to get over myself . . . my insecurities and real or
perceived shortcomings . . . to get to the point of celebrating the amazing gifts
that others offered so faithfully and generously. Only then did I have the
freedom to be a steward, and to joyfully put others before myself.
Paradoxically, only as a contented steward could I fully
enter into those activities and undertakings that gave me greatest pleasure and
most fully used my gifts.
* I finally gained the courage to undertake the
preparation and conducting of oratorios. With fond memories of Messiah, Creation, and Saint Paul,
I can—if I have to!—go to my choral grave content.
* A long string of internships blossomed into what was the
highlight of my last few years in full-time ministry. It is a thrill for me to
see former interns thriving in the musical world as they encounter it.
* I still get great pleasure from helping others with
questions of hymnody and related liturgical questions.
It is good to know my limitations. It is better not to
feel stuck with them.
Thirty years ago
this month, I became a pastoral musician. I’m still trying to sort out all that
means, and I’m still eager to fulfill that vocation, in whatever form it takes.
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