Today I have been restlessly poking away at a number of
things that need doing. And it dawned on me: I haven’t had days like this in
quite a while. Plenty to do, but nothing urgent; much undone, but no pressing
deadlines; a world of new things to begin, but a little low on the energy to
get started.
Today I realize that having now officially sent my thesis
to my readers, my restlessness has to do with the removal of the elephant from
the room. I have resisted “writing my thesis in public” through this blog. Writing
is something I can and must do, and my thesis will almost certainly show up in
these posts. Not serialized, but in bits and pieces as I reflect on various
aspects of my study, and as I explore some of the tangents I’ve had to ignore in
order to finish the business at hand.
Imagine my surprise during this ennui to find that
exactly six months ago today, I began to write my thesis. It was the single
step of a journey. Today I find myself far down that road. I have stopped at oases
along the way. I’ve had to turn back a couple of times. I may have fallen
asleep in a field of poppies once or twice. But today I am waiting at the city
gates. I’ve sent word to the man behind the curtain. Will I gain entry?
Six months of writing, editing, listening, talking,
questioning, and doubting – now behind me. Ahead of me: the anxious waiting for
my readers’ responses; the unknown work that will certainly the follow those
responses; the challenge of re-working material for use in other settings and
formats.
But for now, with the weak November sun shining in a
quiet and lovely house, I am quietly if restlessly celebrating an arrival. It’s
not the end of the journey, but it’s a good resting place. My first day of
writing produced 80 words.
I promised not to write this thing in public. But since today brings some
closure, and with the tidy symmetry of exactly 6 months, here I offer the final
80 words I wrote.
. . . I have attempted to answer
that question with reference to just one cantata. I believe that by bringing
together an introduction to Pietism and current musicological perspectives on
Bach, I have laid some groundwork for the study of other pietistic cantatas.
Beyond that I hope to recast discussions about what music is accomplishing in
Christian worship, and to demonstrate that the music we write and select for
worship shapes a congregation’s theological understanding of the texts we sing
and hear.
Oh,
and for the record: those first 80 words did
remain, nearly intact, as the opening of my first chapter!
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